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This print journalist Yu Nan from Beijing, people magazine: do you realize your dream? Jia Zhangke: the stage to realize. As to when the director, also true when the. Just started shooting some anxiety, worry about finish this do not know where the next meal. These 13 years have been in the film, without interruption, from this point of view, a lucky guy. People magazine: there is no thought beyond the stage of their ultimate destination? Jia Zhangke: never thought, I to generate each film creative metaphor for secretion. The ultimate destination of don't know, but I know the end point, is secreted very reluctantly time. I always feel in this industry has only just begun. A lot of people think I have been making their own, but in fact I don't. "I have a part of their life platform",<a href="http://www.silvaspastry.com/images/_vti_log/coach-baggu-pop-outlet-16.html">コーチ アウトレット</a> http://www.silvaspastry.com/images/_vti_log/coach-baggu-pop-outlet-16.html, the other is to observe and feel my. People magazine: you say so many people may be surprised, you always thought you in the film himself. Jia Zhangke: exactly, I did not take a direct experience, indirect experience has been take. Some critics say that, I carry a camera to film in Shangjie have taken,<a href="http://www.cleanwavevc.com/images/_vti_log/tory-burch-outlet-13.html">トリーバーチ店舗</a> http://www.cleanwavevc.com/images/_vti_log/tory-burch-outlet-13.html, this is the biggest misunderstanding to me. The film itself closer to reality more need imagination. I have a very big imagination in the movies, on the imagination in the support on the imagination in the structure, rather than simply relying on experience or by a real, non professional actors in these production method. A method they generate only aesthetic sentiment, can not build a full movie. I study the film theory, I hope my movie together constitute the process of an era, although it is one-sided, a director in the eyes of the era, but I hope it is complete. For many years after the audience again, also can feel the last century at the end of the 70's, 80's and 90's....... A change in the eyes of the director in China, which is the ideal state of my. People magazine: Feng Xiaogang also expressed a similar desire. Jia Zhangke: Feng Xiaogang can achieve this point. Although it is a common practice, but he has a very valuable place, he has been trying to dialogue with contemporary society. Shadow foam is capital and filmmakers collusion People Weekly: did you feel that the fifth generation of masters of the director in the ability to degrade? Jia Zhangke: I don't agree with you. I don't think that is the degradation of these director, is not the heart to put up. Many people put the film market as a market, Kuaijinkuaichu, go fishing. The formation of the bubble is collusion, either because the capital is shortsighted and speculation, but also because of our filmmakers collaborated with. And the audience reason, because the audience even scold, also had to pay. If you are willing to hard to come up with a work ability not to be so. They originally is so wonderful director, vision and imagination are in there. And the creative attitude problem, the more creative attitude problems, marketing more emphasised how hard, how hard. Some very good in the 80's and 90's director, was once the international level, they provide local experience and story, can and international culture matched, but now they have become local director, loved can serve the local audience, but lost the ability to international dialogue. People magazine: if they say is to revitalize the national film industry? Jia Zhangke: the revitalization of the national film industry, guest
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